Plates-2
Non-Objects
"Cyclical planes" and "absolute erroneous objects" could not be reconciled with both perspective and actual images. By 1980 I was making a kind of painting I termed "nonobjects" that had more variety in outward appearance. At the same time I also sought to bring out the fore-aft relationship between non-objects and backgrounds, so that I might even use shadowing and textured expression. But this was a difficult task as non-objects in the pictures multiplied individually, so that even the background would become a conflicting space. Moreover, using the illusionary devices of "being and nothingness" and "solid and emptiness," objects and spaces could envelop each other in turn, yet it remained difficult to achieve the effect of cyclical space. Nevertheless, this task started to point me towards composition featuring three-dimensional "deep illusion." (Written by Su Hsin-tien and translated by David J. Toman)
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